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(10/06/14 11:47pm)
ASU prides itself on being "one university in many places." However, Tempe remains the location of the main campus, which gives students living there a few advantages over the rest, with one being the ability to get in line for tickets earlier. Because of this, seats in the student section, the Inferno, are impossible for non-Tempe-based students to attain.
(09/21/14 9:57pm)
For most teens, the main priority is to be accepted and attend college after high school. The choice of whether to stick around your hometown or venture into a brand new environment out-of-state is a life-altering decision for how one starts young adulthood. However, there's a lot to take into account in moving out-of-state. As a freshman new to college this fall semester, it's easy to say that the out-of-state experience is one that a college student will benefit from in all aspects.
Move-in day is exciting and full of distractions. It's not until your parents finish moving you in and begin saying their goodbyes that the reality of being on your own truly kicks in — not removed by a half-hour, but by the Rocky Mountains. The new-found freedom instills a mixture of fear and excitement. When classes begin, one must find a balance between a social and academic life. Once this balance is disrupted — and be assured, it will be — out-of-state students must figure out how to regain their footing; it's not so easy as driving to your parents’ house for help. A phone call can only do so much. This need for self-reliance allows a person to find solutions that their parents would normally present.
Another issue with not having parents around is the necessity for money. Since out-of-state students are often paying a large amount of money for tuition, it's not so easy to ask for materials or resources that cost more money than is in the bank. Additionally, academics will be put first before going out and spending money that is not accessible. However, this situation causes a student to begin budgeting and finding ways in which he or she can survive financially. For instance, instead of buying new clothes or video games, one must buy school supplies or Brita filters to avoid the mineral-laden swill Arizonans call water. Priorities are set straight within the first couple of weeks, and there is a cycle that is created.Going out-of-state is really "baptism through fire." Staying in-state provides all the comforts of your friends, family and community, but going out-of-state is what will make you a stronger human being. Of course, the first semester can be rough, but at the conclusion of your college career, you'll appreciate how the struggles made you a better person.
Finally, a student begins to feel appreciation for everything that was home to them before moving miles away. When breaks come around, family and the stability of a home becomes much more appreciated. Despite having wanted to move out for nearly two decades, you'll appreciate your hometown upon returning. Being able to return for four weeks, yet maintain your independence is a wonderful thing. After all, college is an investment in yourself; going out-of-state is the best way to make the most of it.Reach the columnist at Ryan.Santistevan@asu.edu or follow her on Twitter @ryanerica18Editor’s note: The opinions presented in this column are the author’s and do not imply any endorsement from The State Press or its editors.Want to join the conversation? Send an email to opiniondesk.statepress@gmail.com. Keep letters under 300 words and be sure to include your university affiliation. Anonymity will not be granted.Like The State Press on Facebook and follow @statepress on Twitter.
(09/14/14 11:16pm)
This past summer I was lucky enough to attend the Vans Warped Tour, an alternative music festival. Although the festival was great as always, it was somewhat depressing to see only 11 female artists out of the 130 total bands that performed. There was not a single band of only females, which just goes to show that even with an open-minded genre of music, there is still a gender-restricting wall that discourages females from forming bands. For the sake of clarity, the definition of a band in this case is a group composed of a vocalist, drummer, guitar player and bass player.The aforementioned wall is the generally accepted, preconceived notion of a woman's role in society. Females are held to a higher standard in terms of responsibility. Many are expected or pressured to settle down and grow roots, by securing a stable home for their husbands and children. If a woman was to pursue a career as a musician in a band that travels around the country for years, physiologically, time would be running out for her to meet an eligible man to father her children. It appears that she must choose either to pursue a career or a family life.
Although the difference between a man and a woman's role in society becomes clearer as they age, the gender restrictive barrier starts to build from the time that they are children. In The Atlantic's now famous article, "The Confidence Gap," there is discussion on the differences in the development of confidence between different genders. Males have rowdy, risk-taking behavior reinforced by authority figures, while women are encouraged to follow the female paradigm of being respectful, demure, and rule-abiding. Everything about being in a band is disobeying societal norms. When considering genres that uphold the general structure of a band, rock bands — which include prog metal, heavy metal, alternative and more — are typically at the top. Especially during the '70s and '80s "cock rock" movement, this genre has been defined by testosterone-fueled lyrics, the enjoyment of which clashes with traditional role proscriptions for women.A prominent example is the Canadian band Rush. In a 2008 interview the guitarist of Rush, Alex Lifeson, stated, "Our concerts back then (1977-1985) were about 99.9 percent guys. ... Now we'll see groups of girls come down on their own. That's something you wouldn't have seen (in the band's early days)."Even though women may be more willing to openly enjoy this kind of music, they still face discrimination when it comes to creating it.
Sydney Sierota and Taylor Jardine, two females and Warped Tour artists who do appreciate the more alternative and heavy music, were interviewed by Fuse magazine. Both expressed thoughts about the difficulties of being a female on the tour, from men yelling sexual references at them on stage and at meet-and-greets to security actually doubting they were artists and not fans. Jardine talked about how consistently the sound crew will tell her she is fine when she asks for a change in the sound as if she does not understand her own instrument or music. Although it is not typical for a woman to be completely into heavier music, it should be understood that there are some women who have a great appreciation for it and choose to play under the genre.Sexism today is driven by our culture's idea of pre-existing gender roles which ultimately will continue to influence women to play a defined part. Marriage and starting a family is the typical goal of a woman in today's world. Settling early is not a primary objective of a male, thus there is more of an incentive to be part of a band and travel with a sense of importance. Ultimately, women should push past these walls. Music could be so much more if bands weren't a boys' club.Reach the columnist at Ryan.Santistevan@asu.edu or follow her on Twitter @ryanerica18Editor’s note: The opinions presented in this column are the author’s and do not imply any endorsement from The State Press or its editors.Want to join the conversation? Send an email to opiniondesk.statepress@gmail.com. Keep letters under 300 words and be sure to include your university affiliation. Anonymity will not be granted.Like The State Press on Facebook and follow @statepress on Twitter.