Ah, Halloween. The time of year when kids terrorize the neighborhood on a mission to procure as many sugar-laden goodies as they can; the time of year when grown adults wear anything that will distance themselves from their everyday persona (no, you are not a sexy butterfly, we know that.) It’s a holiday which we love to get together and throw down the best way we know how: with great friends and plenty of good tunes. You provide the party people, I’ll provide the music:
Just remember to party safely. Uber and Lyft are your friend!
October 27, 2014 at 11:02 am
I’ve always found revolution to be inspiring. Brightly colored slogans slashed across stark white picket signs and empowered activists chanting as they march — it’s overwhelming in the best way. There’s nothing more awe-inspiring then people who are passionate about their beliefs and act for change.
October 24, 2014 at 4:43 pm
When school overwhelms me and my senses, I try to clear my head with slam poetry. I know I’ve said this many times before, but listening to this poetry is reminiscent of comfort food. It feeds my soul and reminds me that I’m not alone.
“My mother taught me this trick,” professional slam poet Phil Kaye said. “If you repeat something over and over again, it loses its meaning.”
October 22, 2014 at 12:00 pm
It is a small show, just three pieces, but they fill the room.
Last Friday, during the much less chaotic Third Friday art walk, Lauren Lee debuted a solo show entitled “Lauren Lee: Oil and Ink,” at GreenHAUS Boutique. Those familiar with GreenHAUS know the tiny shop is normally filled to the brim with prints, statement pieces, vintage treasures and tiny trinkets. But during the show, there is significantly less, lending a platform for Lee’s canvases.
“The Finality of Words” by Lauren Lee. Photo credit: Mackenzie McCreary
October 22, 2014 at 12:00 pm
After starting House of Cards on Netflix, I had an urge to rush off and visit DC. That, and my best friend, Alexa Pereda attends Georgetown and always tells me about her fabulous life she has created there with her friends. Part of a long-term bucket list item that I have is to visit my best friends at their colleges, and visiting out nation’s capital was also on the list, allowing me to double dip on my bucket list challenge.
Over fall break I traveled to Washington D.C. from Thursday to Tuesday, my first time on the east coast.
October 22, 2014 at 11:16 am
I arrived at the Marquee Theatre an hour and 15 minutes early.
Anyone who knows me knows that I’m not the most punctual concert attendee. Confusion about the actual time of the event is to blame for my promptness.
October 20, 2014 at 11:00 am
The Austin City Limits Festival, a spectacular blowout that attracts music fans from around the country, took place over the course of the past two weekends. The festival is considered a premiere destination for those in search of a wide spectrum of musical acts; from a chunk of smaller bands such as The Rosebuds, Cults and Knox Hamilton, to the larger mainstream performers such as Pearl Jam, Sam Smith and current favorite producer-turned-DJ, Calvin Harris.
While the majority of the acts taking the stage over the length of the festival are touting older albums, some produced new material in 2014. Jenny Lewis, Childish Gambino, Pearl Jam, Sam Smith and St. Vincent are among those promoting brand new releases.
Chvrches, whose notable sound blends electronic synth and rock, are currently collaborating on a sophomore follow up to 2013′s popular The Bones Of What You Believe. This was made obvious when, upon taking the stage during the second weekend of ACL, the band treated the crowd to a live performance of a new track which has yet to be named (according to Pitchfork.com, working titles so far are “Richard Pryor”, “Gene WIlder” and “Eddie Murphy”). The song comes loaded with typical features produced by Chvrches and is not a far cry from their previous work, but it is nothing if not catchy and snappy. Check it out the ACL performance below:
October 16, 2014 at 10:45 am
I wanted to quickly share with you some reflections on a small handful of my current obsessions. These songs have managed to stick with me over the years.
5. “The Rip Tide”, Beirut
Coachella 2012 was a tremendous festival experience. There is something magical in roaming from stage to stage discovering new bands or revisiting favorites. Beirut, a solo venture turned group, was slated to play the Mojave stage. Casually, my friends and I stopped by to take in the all-encompassing sounds of Zach Condon’s flugelhorn, trumpet and trombone. After arriving home, I went back to Beirut’s albums and immediately became enamored with this track and all of its horn-heavy glory.
October 6, 2014 at 7:17 pm
Urban Dictionary defines “musicphile” as “a person who thoroughly enjoys listening to a wide selection of music and varied musical genres.”
While it is not something tangible, an object one can see or touch, music affects our brain. Harmonic rhythms can release dopamine to our brain, which in turn spills chills down our spine. In the summer of 2010, standing shoulder-to-shoulder at Pitchfork Music Festival, I was captivated by a then up-and-coming band, Local Natives. The temperature reached nearly 100 degrees in the shade yet during its tune “Airplanes”, the chills would not subside. A wide smile firmly plastered to my face, goose bumps covered my arms and even my cheeks (that’s when you know it’s good). That song still holds a spot as one of my all-time favorites.
October 1, 2014 at 10:57 pm