Soft Kill revives your inner 'sad boy' at 51 West
We all are bleeding on the inside. But it's okay, because we're all bleeding together. So why not dance to the tunes that make us feel emotional instead of wallowing in darkness like we usually do?
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We all are bleeding on the inside. But it's okay, because we're all bleeding together. So why not dance to the tunes that make us feel emotional instead of wallowing in darkness like we usually do?
Nathan Williams of Wavves tunes his guitar on Wednesday, Sept. 17, 2015, at Crescent Ballroom in Phoenix.
When I arrived at the Wavves show early Wednesday night at Crescent Ballroom in downtown Phoenix, the speakers were playing the Dandy Warhols song, "Bohemian Like You." I'm not sure what it was about the song, but it set the mood for the night.
If anyone asks which band is exemplary of the desert landscape of Phoenix, there can be no better answer than the red-orange marble sleeve of Destruction Unit's new album "Negative Feedback Resistor."
An anecdote: Jonathan Franzen was at a party one night for the release of his novel "Freedom" and was enjoying himself. When two men approached him, one snatched his glasses off of his face and the other handed him a ransom note then disappeared into the night, the author was shocked.
Hush Baby Collective is an Arizona-based, multimedia zine publisher with a focus on feminism. This Friday, the zine is celebrating the release of its fourth issue on mental health awareness with a show featuring local bands such as Draa, Nova Joven, The Ricardos, Language Barrier and Molly & the Molluscs. I had the opportunity to catch up with Hush Baby founder Ryan Mellor and ask her a few questions.
School is back in session and the Tempe roadways are congested and clogged with students bustling back and forth on their daily commutes. This inconvenience is what draws many residents and students of the city to seek alternatives to motor vehicles. Some have become more creative in their approach, using segways (sometimes handleless), scooters and the like, but most are content with the time-tested option of the bicycle.
An octopus isn't normally the best way to describe immigration or the Guatemalan Civil War, but for artist and filmmaker Yoshua Okón, the metaphor fit like a glove.
Do you ever get nostalgic about walking through the mall in the 90s? Looking in the windows of the shops with monitors running Windows 95, surrounded by the plastic trees, your only goal is to meet up the girl you asked out from your English class and go shopping together. A perfect date!
People mingle at Passport to ASU on Wednesday, Aug. 19, 2015, at the Memorial Union in Tempe.
Members of Teatro Diablo pose for a photo on Wednesday, Aug. 19, 2015, at the Memorial Union in Tempe.
Members of Run for America pose for a photo on Wednesday, Aug. 19, 2015, at the Memorial Union in Tempe.
Members of the Hawai'i and Pacific Islander Club pose for a photo on Wednesday, Aug. 19, 2015, at the Memorial Union in Tempe.
Members of Fight Devils pose for a photo on Wednesday, Aug. 19, 2015, at the Memorial Union in Tempe.
Members of the Barren Mind Improv Troupe and the Farce Side Comedy Hour poses for a photo on Wednesday, Aug. 20, 2015, at the Memorial Union.
The Memorial Union was packed Wednesday night as the yearly recruitment festival for ASU's clubs, Passport to ASU, made its return to welcome freshmen and congratulate members of the upper classes for making it back for another year.
As most people traveled west from the light rail stop at McClintock and Apache Boulevard to join in on the usual First Friday festivities, I took the train going East to attend the one-night only showing of Phonetic Spit's spin-off performance, the Soul Justice Project.
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With all my time being spent at the library writing coffee-fueled papers and having panic attacks at 2 a.m. in the morning over just remembered due dates for the next day, I am confronted with the task of finding a way to wrap up my column, Alt Lit Weekly.
Mark Hosler, co-founder of experimental music project Negativland, came to ASU on Friday to screen films and talk about his influence on music samples and copyright issues.
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