Phoenix's Lawn Gnome Publishing fosters community through poetry
Outside a red New England-style house in downtown Phoenix, 41-year-old Lissette Gaytan stepped up onto a small platform with a notebook in hand.
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Outside a red New England-style house in downtown Phoenix, 41-year-old Lissette Gaytan stepped up onto a small platform with a notebook in hand.
For years, music cynics have cried frustrated phrases like “Popular music today is just not as good as it used to be!” But it was clear from the opening minutes, the 63rd Annual Grammy Awards busted the legs out from underneath that lazy proclamation.
On her newest record, “FLOWERS for VASES / descansos,” Hayley Williams took her feelings from past relationships, bottled them and put them on a shelf to collect dust.
Music is universal. No matter the song, it can be listened to during any month, holiday, day of the week or time of day. Like many others, I listen to music every day, and there are always enough songs to give each day its own melody.
Like most industries, the music world is learning to dodge and weave past punches thrown by the pandemic.
During this emotionally vulnerable time, instruments have pulled all the right heartstrings for some ASU students and faculty.
Within the advances of social media lies a paradox.
Music has always saved me. It has made me who I am and influenced the way I see life — I always say that it is like my religion.
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