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Meet the editors: Kimberly Rapanut, managing editor

Get to know our editorial board through these Q&As


ASU junior and State Press managing editor Kimberly Rapanut laughs in the newsroom in Tempe, Arizona, on Thursday, Nov. 1, 2018.

A large portion of our State Press editorial board has been a part of this publication for the better part of the year. As we're winding down to the end of the semester, we have a number of big stories set to publish and, in this field, we find it important to be transparent with our audience.

We think our readership has a right to know who has been telling ASU's stories, so we're continuing our Q&A series with our editorial board with one of our managing editors, Kimberly Rapanut.

Tell me about where and how you grew up.

I grew up in Mesa, Arizona — the East Valley. I was born in Seattle actually, and then we moved here when I was three, right before my little brother was born. I actually spent most of my life in private Catholic education, and it wasn't until I went to ASU that I had gone to a public school in any type of sense. 

I literally wore a uniform every single day from ages six to 18. So, that was a big part of my upbringing, I would say. I guess in turn with that, growing up in Arizona and growing up in that type of environment, I was used to being surrounded by people who didn't look like me. 

I was used to being the only person of color in every single one of my classes, or one of the few kids in my high school or in my middle school who weren't white. So that was another big thing, I guess.

Was coming to ASU after attending only private school a culture shock for you?

I would definitely say it was. I wasn't used to having, in a weird sense, the little bits of freedom that I guess a lot of kids were just used to having in terms of, “Oh, I could wear whatever I wanted today,” or, “I didn't have to worry about getting dress coded today,” or, “I didn't have to roll my skirt today because it was down to my knees.” 

So I guess that was a big thing. But going to Cronkite, since it's a small program, it wasn't the biggest amount of a culture shock. 

But I would say going to ASU has definitely opened my eyes to a whole new, I don't want to say “world,” but given me so many different perspectives of all the people I've met and their upbringings and their lives.

So, why did you choose ASU?

I knew that ASU had a really good journalism program, and I figured I might as well. Plus, I was from here, so I get in-state tuition and all that stuff. 

It wasn't originally in my plan. I wanted to move to Los Angeles or somewhere in California and never look back, but I'm happy I'm here.

Was it always your dream to be a journalist, or did you have other aspirations previously?

I never thought about going into journalism until April of my senior year of high school. I was trying to decide what I wanted to major in and what I wanted to do with my life. 

I think when I was growing up, I was always the kid in the room who was like, “I'm gonna make a difference in the world,” or, “I'm going to do something crazy.” And it was never in the sense of I wanted to be a president or I wanted to go to the moon or something like that. It was always like, “Maybe I'll go into the medical field so I can be a doctor and help people in that sense," or, “Maybe I'll go ahead and I'll be a teacher, so that way I can help people and the future leaders of the world be educated.” 

And when I thought of journalism, I thought, how have I never thought of this before? I had loved writing and reading so much when I was younger, and journalism was just that, but combined with my want to do something with more substance.

If you were any song, which would you be?

If I was any song, I would definitely be "Take Me Home, Country Roads" by John Denver. I don't even know why I like that song so much. I don’t even really like country, but it really speaks to me in a very weird sense. 

When I was younger, around seven years old, my mom had the Eagles’ Greatest Hits CD, and she would play it, and I would literally cry in the backseat to "Desperado," which is about a friend dying. And none of my friends had ever died at that point. No person who was super close to me had really died. And I was like, “Oh, this really hits me.” And I think that's just how I feel when I listen to "Take Me Home, Country Roads."

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