‘Alex Cross’ comes across as boring, unrealistic
A boring action thriller is worse than a cardinal sin — it’s unforgivable.
A boring action thriller is worse than a cardinal sin — it’s unforgivable.
The TLC reality series, “Here Comes Honey Boo Boo,” captures viewer attention with its depiction of the peculiar Thompson family.
Arizona Theatre Company’s “Next To Normal,” is not a typical musical, but it's undoubtedly captivating and ultimately inspiring with its pop-rock musical numbers and dark lyrics.
Much of “The Twelve” feels like Cronin is teasing readers with excitement, and then postponing the thrills until an undisclosed date.
Alternative-rock band, Weezer, began its show lifelessly at the Arizona State Fair but finally pumped up the volume to deliver an electrifying set.
Ben Gibbard still hasn’t lost his touch. Like in the video for “Soul Meets Body,” he is still able to make music fly. Gibbard’s debut solo album, “Former Lives,” shows fans a side to the artist they can’t know from his previous projects.
Whether it’s “True Blood,” “Teen Wolf” or “The Vampire Diaries,” supernatural-drama TV shows all have five common plotlines.
Sometimes a band's biggest detriment is its desire to be overly entertaining. It was apparent Wednesday night, when Metric's theatrics overshadowed their musicianship.
For most of “Argo,” directed by actor-director Ben Affleck, the film works from the sheer level of audaciousness at work, only derailed in the end by, of all things, reality.
Based on an increasing supply of subpar horror movies over the past several years, the genre must be scrutinized for the purpose of improvement in order to make this Halloween and future Halloweens sufficiently frightful.
While the band explained they don’t know why people live in the Valley, they managed to make their first concert in Phoenix energetic and lively.
The Black Keys performance on Tuesday made no concessions or reservations. Instead, the set of brash blues-rock reassured the audience that the night belonged to the music of Auerbach and Carney, so deal with it.
With five full studio albums and several feature film contributions, Metric has plenty of fan favorites to binge on before its Wednesday show and some new “Synthetica” tracks to put on repeat.
Fans of “Fifty Shades of Grey” rejoice, while haters quiver at the fact that the book series is getting a movie.
Gone are the days of angelic synth riffs and album covers shot with glitter and spotlights. Goulding’s new record is dark and unrelenting and shows miles of growth beyond the likes of debut album tracks “The Writer” and “Every Time You Go.”
Lemon Andersen’s life in Brooklyn, N.Y was brought to the stage last weekend in “County of Kings,” his one-man play.
“Don’t Panic” takes all of the great things from All Time Low’s previous records and combines them in great songwriting, heartfelt lyrics, driving guitars and stomping beats.
On Tuesday, The Hives return to the Marquee Theatre in Tempe.
A roaring Arizona audience welcomed the Philadelphia-based band Circa Survive, who played a plethora of songs from all of its albums Friday night at the Marquee Theatre.
This year’s Oktoberfest truly celebrated culture — not just German culture, but the convergence of many different ones.
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