The Echo

‘Intruders’ a violation of time and money

If any effect remains after exiting the theater, it should be the resentment of having wasted both time and money.

By Jonathan Fortner | April 1, 2012

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‘Punk’d’ returns with Bieber’s pranks

After a five-year break, the overwhelmingly popular reality show, “Punk’d” returned to MTV with its first celebrity host, Justin Bieber.

By Emily Nichols | April 1, 2012

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‘Mirror Mirror’ a humorous take on classic tale

Unlike the original version, this Snow White doesn’t need a prince to save her.

By Newlin Tillotson | March 29, 2012

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‘Wrath of the Titans’ a visual spectacle that lacks feeling

In showcasing ferociously salivating creatures, skull crushing action and a literally hellish terrain, the necessary attention to other aspects of the movie is forgotten.

By Mary Richardson | March 29, 2012

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Jason Segel, Mark Duplass join comedic forces

Actor Jason Segel and director/actor Mark Duplass phoned in to talk about “Jeff Who Lives at Home,” their careers and how they got to where they are now.

By Roxana Baldovin | March 28, 2012

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American Royalty’s frontman describes SXSW experience

American Royalty’s frontman Billy Scher took the time to speak with The State Press about touring and the band’s SXSW experience.

By Jocelyn Gee | March 27, 2012

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‘The Great Gatsby’ production remains true to classic novel

Simple props were creatively manipulated to display the magnificence of Gatsby’s wealth.

By Emily Nichols | March 27, 2012

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‘Salmon Fishing in the Yemen’ offers sharp banter

Throw in some British accents, deadpan humor, a wise, all-knowing Sheikh and voilà - a culture-clashing slapstick.

By Cassandra Starboard | March 26, 2012

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‘October Baby’ inspires thought, touches heart

Abortion debates are typically fueled with emotional backlashes and strong arguments, but “October Baby” treads over the subject perfectly.

By Lana Rogoff | March 26, 2012

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Jason Burkey views film as well-told story on abortion issues

Jason Burkey’s role in “October Baby” shows the young star has more complexities.

By Lana Rogoff | March 26, 2012

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Esperanza Spalding stylishly grooves on ‘Radio Music Society’

“Radio Music Society” draws its inspiration from the catchy melodies and infectious grooves of pop and R&B radio stations.

By Ben Scolaro | March 25, 2012

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‘The Hunger Games’ offers more pains than sport

If it didn't matter to Collins to adequately tell her story, why then should audiences care to understand?

By Jonathan Fortner | March 25, 2012

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‘Seeking Justice’ a weak revenge thriller

“Seeking Justice” is a confusing disappointment that tried to make a cool clandestine society and connect it with a supposedly ordinary schoolteacher.

By Newlin Tillotson | March 25, 2012

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‘21 Jump Street' a frustratingly missed opportunity

The scene with Offerman, Hill and Tatum captures the frustrations of actors in this day being reduced to fill the shoes of moderately interesting TV personas of yesteryear.

By Jonathan Fortner | March 15, 2012

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New Segel movie shows stoner introspection

Whether intentionally or not, “Jeff Who Lives at Home,” starring Jason Segel and Ed Helms, hits the nail right on the head: living at home isn’t funny.

By Jonathan Fortner | March 15, 2012

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Ferrell speaks about absurd comedy ‘Casa de mi Padre’

Ferrell’s bad accent and unique sense of humor make the film an eye-roller — but in a good way.

By Jocelyn Gee | March 15, 2012

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Radiohead graces Glendale with hypnotic concert

Thom Yorke and Radiohead performed to a sold out crowd last night at Jobing.com Arena in Glendale.

By Jocelyn Gee | March 15, 2012

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Hemsworth describes 'Hunger Games' bonding

Liam Hemsworth relates stories about the excitement of being part of “The Hunger Games.”

By Olivia Khiel | March 14, 2012

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Roosevelt Row’s hidden treasure chest of vintage finds

The clothing store draws people in with its mesh of paisley, mod and brights that create a true spectacle for the eyes.

By Roxana Baldovin | March 14, 2012

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‘Touch’ pilot a juggling act

Kiefer Sutherland brings a quiet exasperation and daily drudgery to Martin, a man who genuinely loves his son, but is resigned to the fact that he cannot fully get through to him.

By Taylor Costello | March 14, 2012

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