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CD Review: The Shore makes waves

theshore

What happens if you mix one part British rock with two parts modern alternative and a dash of the 60's into a blender?

You get a concoction entitled, "The Shore." The self-entitled, debut album was released by Maverick Records last month and came with little fanfare or hype. The band still hasn't received much of either a full month later, but still manages to deliver in all the right ways.

"The Shore" is a heart-felt introduction to a band that has given itself a wonderfully unique sound while staying true to their influences, which vary. It's a mixture that produces a colorful, hallucinogenic effect, and sometimes an emotional and introspective look into the human condition.

The album art produces a similar effect. Picture a random kaleidoscope of colors backdropped against a black and white picture of the three band members, standing in front of varying foliage. The three members of the band, Ben Ashley (vocals, guitar), Tommy Black (bass) and John Wilmer (drums) joined forces in the summer of '02 amidst the Silver Lake music scene. Producer Rick Parker was already involved in the project, and eventually got the band signed to Maverick Records.

From the first track, "Hard Road," it's evident that these guys have a lot more talent than your average half-rate, rock band. The track is a strung-out beach bum adventure that features a strong vocal performance from Ashley, who will inevitably draw comparisons to Richard Ashcroft, formerly of the Verve. But if you really want to enjoy the song, head out to a pool with a six-pack of beer and some friends.

Most of the songs that follow are similar enough to assure people that it is the same band, yet different enough to stay fresh. However, certain tracks still stand out in the same way as "Hard Road" does. My suggestion is if you're going to listen to one song from this band, "Waiting for the Sun" should be it. The song is dreamy and melodic, but comes down from its cloud every so often to a more regular rock-style, producing an incredible combination of feeling and texture.

Unfortunately, as with most albums we find in this age, "The Shore" occasionally gets mired in a song that sounds contrived and formulaic. It slows down the album slightly, but not enough to tear down what is otherwise a great first release for the band.

Anyone who liked the Verve will definitely feel at home with this band. I recommend this album to anyone who has an open mind and is looking for a new band a bit outside the norm.


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