The Echo

Review: I felt everything at Mitski's concert so you didn't have to

Mitski’s "Laurel Hell" album and sequential concert at The Van Buren in Phoenix will be a difficult experience to forget.

By Analisa Valdez | March 3, 2022

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Insight: How a social media detox cleared my mind

Last year was the one where social media defined my life. Instagram, Snapchat, Facebook. Now, those are apps I have not touched in weeks.

By Amir Imam | March 2, 2022

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Inside ASU’s illustrious ceramic collection

ASU's Ceramics Research Center works to foster a ceramics community by showcasing ceramists, from clay rookies to clay masters.

By Devon Mendrzycki | March 1, 2022

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Review: The sound of ASU is cleverly curated in Spotify playlist

I listened to the ASU-specific Spotify playlist so you don't have to, but you will want to.

By Analisa Valdez | February 28, 2022

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Review: 'Tall Girl 2' falls short of the mark

With stolen plot lines, poor writing and an inconsistent artistic vision, "Tall Girl 2" proves to be a disappointment. 

By Shradha Krishnamurthy | February 28, 2022

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Insight: The many places I called home helped me shape my identity

I identify with the nation where I was born, the region where I was raised, and the culture I originate from. For a question asking about my background, I have a complicated response. 

By Amir Imam | February 25, 2022

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Review: 'Uncharted' lays a shaky ground for future sequels

'Uncharted' introduces mainstream audiences to Nathan Drake and his treasure-seeking adventures.

By Tristan Richards | February 24, 2022

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Meet Ruby Shore: Battle of the Bands 2022 winner and Devilpalooza opener

Battle of the Bands winners Ruby Shore discuss their indie rock style, recent victory and plans for the future. 

By Shradha Krishnamurthy | February 21, 2022

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Review: Northlight Gallery spotlights ASU alumni's photography in fine art exhibition

Cross over borders and break boundaries at "Borders and Boundlessness," an exhibit at the Northlight Gallery.

By Analisa Valdez | February 14, 2022

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Procedural police shows: Pro-cop propaganda or complex screenwriting?

Procedural police shows leave audiences wondering if what they are watching is just another example of Copaganda.

By Analisa Valdez | February 13, 2022

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Review: 'Pokémon Legends: Arceus' changes the franchise's legacy

"Pokémon Legends: Arceus" shakes up the fundamentals but has room to improve for it to live up to the $60 price point. 

By Tristan Richards | February 10, 2022

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Dance students explore evolution processes in capstone performances

"Dance Transitions: Cumulus Twenty-Two" was performed by ASU's dance students from Feb. 4-6.

By Devon Mendrzycki | February 10, 2022

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Review: 'The Band's Visit' turns the theater into a garden of sound

"The Band's Visit" is a must-see show during ASU Gammage's 2021-22 season that will leave viewers sitting in amazement of something strange.

By Ryan Knappenberger | February 9, 2022

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Insight: How COVID-19 impacted my growth as a Muslim

COVID-19 has undoubtedly shocked the world, and for me, it has threatened the very foundation of my Muslim community.

By Danish Kadri | February 9, 2022

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'The Color Cabaret' returns to the stage to highlight BIPOC student performances

A diverse cast of ASU students shares their stories in "The Color Cabaret" for the third year.

By Tristan Richards | February 1, 2022

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Tempe Public Library writing contest gives young and new writers platform to be heard

The eighth annual Tempe Writer's Forum hopes to bring attention to local writers who have yet to submit work for publication.

By Devon Mendrzycki | February 1, 2022

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Review: The taste of 'Licorice Pizza'

Paul Thomas Anderson's newest release faced backlash over the 10-year age gap between the story’s protagonists, but that backlash was unwarranted.

By Devon Mendrzycki | January 25, 2022

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Review: 'Scream' reboot parodies Hollywood reboots

"Scream" (2022) commentates on the state of Hollywood in a brutally stylish jaunt.

By Tristan Richards | January 18, 2022

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Review: I'm not turning the dial on 'Dawn FM'

The Weeknd takes our breath away in his latest album, "Dawn FM."

By Analisa Valdez | January 14, 2022

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Review: 'Red (Taylor's Version)' helps Taylor Swift regain control of her story

With the release of Taylor Swift's newest album, "Red (Taylor's Version)," she regains control of her work, her story and her career. Redone versions of classic songs like "22" and "All Too Well" have a new understanding and weight today than they did back in 2012 when "Red" originally released.

By Ryan Knappenberger | December 2, 2021

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