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Overworked and understaffed. Contracts changed with less than a week's notice. Trauma from trespassing incidents. Censored from speaking to the press. All against the backdrop of an all-time peak in COVID-19 cases in Maricopa County.
The world was no bigger than the cul-de-sac I lived in until I went to elementary school in Mesa.
Comencé esta revista en español porque parecía el siguiente paso claro en la expansión de la accesibilidad dentro de State Press Magazine.
I started this Spanish magazine because it seemed like the clear next step in expanding accessibility within State Press Magazine. ASU’s “Hispanic/Latino” demographic makes up just over 20% of the student body, both undergraduate and graduate. But stepping into the student newsrooms that cover the University, I did not see a reflection of those numbers. To say this is an issue that exists in a vacuum would be incorrect. This is part of a larger conversation that journalists of color are tackling: The notion that American journalism exists for white middle-class issues. This is an ongoing problem that exists outside of the University space. I had read stories from papers in the Valley that were reporting on the economic impact of the growing Hispanic population, or the fact that this demographic now makes up the majority in the city of Phoenix. But reporters are often urged to synthesize this information — to neatly fold up the experiences of a diverse set of communities tied together by various dialects of Spanish — and report on its effects on the city. But our existence is not numerical, it is a moving part of this American machine.
Whether you're attending class, going to a party or having a hard time saying no to street preachers, at some point you will have to talk to someone you don't know. The likelihood that it may be someone from Hawaiʻi is slim (because they'd need a really good reason to not be in Hawaiʻi), but the fact is: it could happen. And when it does, you need to be ready.
Jesús se secó el sudor de la frente mientras pateaba su caballo robado. Es el año 1905 y están a punto de cruzar el Río Grande. Los bandidos que dejó atrás probablemente ya se están dando cuenta de que algo anda mal, pero él está horas por delante de ellos, y una vez que cruce el río, nunca lo encontrarán.
Cuando Seonaid Valiant, curador de estudios Latinoamericanos en la ASU Library, comenzó en ASU, la colección solo tenía un manuscrito.
El mundo no era más grande que el cul-de-sac en el que vivía hasta que fui a la escuela primaria en Mesa.
Cuando Vanessa Fonseca-Chávez tomó su primer trabajo de enseñanza en University of Wyoming en el 2013, un encuentro inesperado impulsó un proyecto dedicado a documentar historias familiares a través de entrevistas grabadas que crecería en los años por venir.
When Vanessa Fonseca-Chávez took her first teaching job at the University of Wyoming in 2013, an unexpected encounter spurred a project dedicated to documenting family histories through recorded interviews that would grow for years to come.
State Press Magazine spoke with some of ASU's art students who share inspirations across mediums. With diverse backgrounds and distinct emotions, all of them reach within themselves to create works they hope will shape the world around them.
This year should have given way to one of the best superhero movies of all time. Set in the Spider-Man universe, Sony fired on all cylinders to make another comic book fantasy into reality.
Jesus wiped the sweat off his brow as he kicked his stolen horse. It's 1905 and they’re about to cross the Rio Grande River.
When Seonaid Valiant, curator for Latin American Studies at the ASU Library, started at ASU, the collection only had one manuscript.
A las 6:30 de la mañana el sol todavía no ha salido, pero lo es Autumn Baker. Hoy es lunes, y el estudiante de segundo año que estudia ciencias biomédicas se está preparando para un día de clases que durará 12 horas y abarcará dos campus diferentes a 20 millas de distancia.
Hay una impresión de cannabis sativa colgada en el tablero de corcho junto a la oficina de Maxwell Leung en el campus oeste de ASU.
There’s a print of cannabis sativa hanging on the cork board next to Maxwell Leung’s office at ASU's West campus.
Tyler Bednar was a frequent user of Yik Yak. Until he got name-dropped.
At 6:30 a.m. the sun isn't quite up yet, but Autumn Baker is.
Reem Elsaad, a junior, is double majoring in global studies and political science. She's taking 21 credits while balancing two internships, a couple of clubs and a professional dance team.